{"title":"Paris 2025","description":"","products":[{"product_id":"resurfacing-maude-arsenault","title":"Resurfacing - Maude Arsenault","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/deadbeatclubpress.com\/collections\/maude-arsenault\"\u003e\u003cem\u003eDuology\u003c\/em\u003e book set and special edition available.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eA follow up to her debut monograph \u003cem\u003eEntangled\u003c\/em\u003e (Deadbeat Club, 2020), \u003cem\u003eResurfacing\u003c\/em\u003e furthers Maude Arsenault’s visual poetry with ongoing, honest exploration of the female experience. Time passes; family life fractures and splinters with it. Surfaces crack under a varnish of quiet and soft tones, as folds and crevasses are mirrors of an inner, newly reappropriated body.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eResurfacing\u003c\/em\u003e is an essential extension of her work, translating the delicate and subdued power of her images into a tactile, textured design—giving amplitude and rhythm to Arsenault’s feminist visual language.\u003c\/p\u003e\n\u003cp\u003eAfter several years behind the lens in the fashion world, Maude Arsenault, photographer, artist, mother and feminist, forks around 2015 towards the visual arts. Her work invests the themes of female representation, private space, domesticity and intimacy within the framework of a photographic and material approach which oscillates between abstract compositions, self-portraits, landscapes and images documentaries. She explores from the photographic and printed image, collage, sculpture and installation. In doing so, her projects deploy bodies as spaces and unexpected spaces of the body, in a perspective of self-determination for women.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePRESS:\u003c\/strong\u003e\u003cbr\u003e\u003ca title=\"Il Giornale dell arte – Maude Arsenault Resurfacing\" href=\"https:\/\/www.ilgiornaledellarte.com\/articoli\/i-voti-di-paris-photo-grande-circo-della-fotografia\/144041.html\" target=\"_blank\"\u003eIl Giornale Dell' Arte\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.floatmagazine.us\/interviews\/maude-arsenault\"\u003eFloat Magazine\u003c\/a\u003e\u003cbr\u003e\u003ca title=\"Maude Arsenault - Resurfacing\" href=\"https:\/\/bensmithphoto.com\/members\" target=\"_blank\"\u003eA Small Voice\u003c\/a\u003e (paywall)\u003cbr\u003e\u003ca title=\"Maude Arsenault Resurfacing\" href=\"https:\/\/www.ilfoglio.it\/cultura\/2023\/12\/24\/news\/dieci-libri-di-fotografie-per-un-anno-che-ci-ha-fatto-vedere-di-tutto-6030437\/\" target=\"_blank\"\u003eIl Foglio\u003cbr\u003e\u003c\/a\u003e\u003ca title=\"Maude Arsenault Resurfacing\" href=\"https:\/\/lenscratch.com\/2024\/01\/maude-arsenault-resurfacing-deadbeat-club\/\" target=\"_blank\"\u003eLenscratch\u003cbr\u003e\u003c\/a\u003e\u003ca rel=\"noopener noreferrer\" title=\"Maude Arsenault Resurfacing\" href=\"https:\/\/americansuburbx.com\/2024\/01\/maude-arsenault-resurfacing.html\" target=\"_blank\"\u003eASX\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/metalmagazine.eu\/en\/post\/maude-arsenault\" title=\"Resurfacing by Maude Arsenault in Metal Magazine\" rel=\"noopener\" target=\"_blank\"\u003eMetal Magazine\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/photographmag.com\/portfolio\/maude-arsenault-resurfacing\/\" title=\"Maude Arsenault Resurfacing\" rel=\"noopener\" target=\"_blank\"\u003ePhotograph\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/bordercrossingsmag.com\/article\/surfaces-and-distances\" title=\"Maude Arsenault Resurfacing\"\u003eBorder Crossing Magazine\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Deadbeat Club","offers":[{"title":"Default Title","offer_id":40168462942271,"sku":"DBC#Maude","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2457\/9567\/files\/MaudeArsenault_Resurfacing_Real-1.jpg?v=1706286603"},{"product_id":"the-weight-of-ash-ian-bates","title":"The Weight Of Ash - Ian Bates","description":"\u003cp dir=\"ltr\"\u003e\u003ca href=\"https:\/\/deadbeatclubpress.com\/products\/special-edition-the-weight-of-ash-ian-bates\"\u003e\u003cspan\u003eSpecial edition available here. \u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eBetween 2014 and 2020, Ian Bates traveled tirelessly along the West Coast of the United States. For years, he has photographed there a charred land suffering from increasing scorching wildfires. But, far from any voyeuristic dramatization, scarce are the depictions of the roaring flames, or of the fire’s fury. Rather, standing at a respectful distance, Bates photographs in rich black and white tones what is at the margin, the traces, the aftermaths. The beauty and horror of the landscape, too, enshrouded in a grey cloak of ashes and plumes. “There is a moment after a wildfire burns but before humans return”, says Bates, “where the land and forests are both beautiful and terrifying.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHis photographs, seemingly suspended out of time in a muffled silence, at the edge of the catastrophe, are a meditative exploration on this liminal stage between calm and violence, on the fine line we dance on when we build and expand on nature’s ground. A meditation on the harshness, anxiety, and beauty of wildfires—which can, as well as destroy, prepare a fertile ground for new life to start.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOriginally from New Jersey, Ian Bates lives and works in the Bay Area. His photographs look at his curiosities of contradictions in human nature around the United States and how people interact with the environments they inhabit. He has shown work at Pier 24 (San Francisco), Filter Space (Chicago), and the Center for Photographic Art (Carmel), amongst others. He was chosen as one of PDN’s 30 Emerging Photographers to Watch in 2017. His work has been published in The New Yorker, National Geographic, The New York Times, Smithsonian, Rolling Stone and others.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis is his third publication with Deadbeat Club, after \u003cem\u003eMeadowlark\u003c\/em\u003e (2022) and \u003cem\u003eLost Dog\u003c\/em\u003e (2023), both sold out.\u003c\/p\u003e\n\u003cp\u003ePRESS\u003cbr\u003e\u003ca href=\"https:\/\/www.booooooom.com\/2025\/11\/06\/the-weight-of-ash-by-photographer-ian-bates\/\"\u003eBOOOOOOM\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.whatwillyouremember.com\/our-favorite-photo-books-of-2025\/\"\u003eWHAT WILL YOU REMEMBER?\u003c\/a\u003e\u003c\/p\u003e","brand":"Deadbeat Club","offers":[{"title":"Default Title","offer_id":41429916090431,"sku":"DBC#ASH","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2457\/9567\/files\/TWOA_real_1.jpg?v=1771067875"},{"product_id":"billions-served-richard-renaldi","title":"Billions Served - Richard Renaldi","description":"\u003cp\u003e\u003ca href=\"https:\/\/deadbeatclubpress.com\/products\/special-edition-billions-served-richard-renaldi\"\u003eSpecial edition available here.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eBillions Served\u003c\/em\u003e, Richard Renaldi once again offers his large format portraiture as an invitation to slow down and see familiar sights in new light. The title, taken directly from the boastful catchphrase \"Billions and billions served\", at once acknowledges the economics of American fast food while simultaneously signaling that those billions of burgers have been served both \u003cem\u003eto\u003c\/em\u003e and \u003cem\u003eby\u003c\/em\u003e billions of people. Contrary to the nature of fast food environs where subtle cues direct us through choreographed movements toward ever swifter commerce \u0026amp; consumption, Renaldi invites the viewer to pause and actively participate in each moment. His black \u0026amp; white photos neutralize the riot of color otherwise drawing our eyes; color portraits place fellow patrons center stage, from out of the recesses where corporations would let them fade. The result is a new way of actively engaging these often frequented but seldom-considered scenes with a spotlight on humanity. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRichard Renaldi was born in Chicago in 1968. He received a BFA in photography from New York University in 1990. He is represented by Benrubi Gallery in New York and Robert Morat Galerie in Berlin. \u003cem\u003eBillions Served\u003c\/em\u003e is his sixth monograph. He was the recipient of a 2015 fellowship from the John Simon Guggenheim Memorial Foundation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePRESS\u003cbr\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/www.blind-magazine.com\/news\/richard-renaldi-the-slow-camera-of-fast-food\/\"\u003eBLIND MAGAZINE\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/aboutphotography.blog\/blog\/billions-served-by-richard-renaldi\"\u003eABOUTPHOTOGRAPHY\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/lenscratch.com\/2021\/08\/photographers-on-photographers-harrison-huse-in-conversation-with-richard-renaldi\/\" title=\"Richard Renaldi, interview, new book, new monograph, Billions Served\" rel=\"noopener\" target=\"_blank\"\u003eLENSCRATCH\u003c\/a\u003e\u003c\/p\u003e","brand":"Deadbeat Club","offers":[{"title":"Default Title","offer_id":41430023503935,"sku":"DBC#RICHARD","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2457\/9567\/files\/Renaldi_Billions_2.jpg?v=1771080085"}],"url":"https:\/\/deadbeatclubpress.com\/collections\/paris-2025.oembed","provider":"Deadbeat Club","version":"1.0","type":"link"}